Madha Gaja Raja Movie Review: A film made 12 years ago has recently been released and has achieved unexpected success. Vishal as the hero, Anjali and Varalaxmi Sarathkumar as the heroines, and the film Madha Gaja Raja has been released under the direction of Sundar C.
This film, which was supposed to be released about 12 years ago, was postponed due to various reasons and finally came to the Tamil audience this Sankranthi and registered a huge success. The film was brought to the Telugu audience a little late on January 31st. So how is this film? How much did it impress the Telugu audience? Let us now see in the review.
Madha Gaja Raja Movie Story:
Raju alias Madha Gaja Raja (Vishal) is a cable operator in Araku. Since his father is an SI, he falls in love with Madhavi (Anjali), the daughter of a convict, at first sight, but they break up due to differences of opinion. On the other hand, his daughter has to go to her wedding after receiving a call from his childhood schoolmaster (Sharath Saxena).
There, three more childhood friends meet. One of them, Maya (Varalakshmi Sarath Kumar), also gets acquainted. When they have to go home after getting married, it is revealed that both of them have life-or-death problems.
When it is learned that both of them have a problem with the head of the media channels, Kakarla Vishwanath (Sonusud), Raju goes to Hyderabad to clear up their problems. What happened after going there? Was Raju able to clear up the problem by talking to Kakarla Vishwanath? To know the role of Minister Sattipandu (Manobala) in this, you have to watch the movie on the big screen.
Madha Gaja Raja Movie Analysis:
The thing that everyone should remember is that this movie was made 12 years ago and was supposed to be released then. The movie was prepared according to the trend of that time. The director prepared this movie from a completely commercial angle. Without going into the logic, he made comedy the main focus and carried the story from the first to the last card.
The film was made with the line of how an ordinary cable operator beats up a businessman who has the power to call the CM home and finally drags him to the road. In this sequence, the director took cinematic liberty to a certain extent. Without going into the logic anywhere, he tried to drive the cart with his strength, comedy.
Those who watch the film without thinking about logic will laugh throughout. The director succeeded in bringing everything that is needed in a commercial film to the audience. In particular, along with a side comedy, he tried to entertain the audience with the glamour of the heroines as well as songs and fights that would appeal to the mass audience.
Actors Performance:
A kind of vintage Vishal appeared in this film. Since the film was made 12 years ago, there was a lot of difference between the Vishal of today and the Vishal of that time. Vishal entertained with his own mark in comedy, action scenes and dance. Along with heroines Anjali, Varalaxmi Sarathkumar stood out as mere glamour dolls.
Their glamour is such that if they were asked to play such roles now, they would definitely do it. Both Santhanam and Manobala entertained with their own comedy. They were especially successful in making the audience laugh out loud in the climax track of the film. The rest of the senior Tamil actors, including Sarath Saxena, were impressed with the scope of their roles.
When it comes to technical aspects, the music provided by Vijay Antony is good. However, in some places, the background score or the music of the songs feels like we have heard it somewhere. He seems to have used them in his later films, thinking that this film would not come out well.
However, he succeeded in directing it in his own style without getting bored anywhere. The cinematography is not bad. The locations also looked good. The dialogues written by Vennelakanti are enough to make the Telugu audience laugh out loud. However, some of the dialogues delivered by Santhanam are enough to make the family audience uncomfortable..
Conclusion:
Madagaja Raja.. The audience who goes to the theater without looking for logic or making expectations will come out laughing and feeling sick to their stomachs.